NEW YORK — The supposedly cosmically vast Marvel Cinematic Universe spans planets peppered throughout the galaxy, but Ryan Coogler's Earth-bound "Black Panther," glittering and galvanizing, stands worlds apart.
For those of us who have sometimes felt pummeled by the parade of previous Marvel movies, the sheer richness of Coogler's film is almost disorienting.
Can superhero films, so often a dull mash of effects, be this dazzlingly colorful? Are genuine cultural connections allowed in modern-day comic book blockbuster-making? Is a $20 billion refund in order?
Unlike many of its hollow predecessors, "Black Panther" has real, honest-to-goodness stakes. As the most earnest and big-budget attempt yet of a black superhero film, "Black Panther" is an overdue cinematic landmark. But it's also simply ravishing, grand-scale filmmaking.
Just as he did in the surprisingly sensational Rocky reboot "Creed," Coogler hasn't reinvented the genre so much as electrified it with a new perspective and a rare talent for marrying naturalistic character development with spectacle muscle.
"Tell them who you are" is the encouragement shouted at the title character, T'Challa (Chadwick Boseman) prince of the African nation Wakanda. But it could just as well serve as the overarching rally cry of a film that for many symbolizes a big-screen affirmation of African-American identity.
"Black Panther" stands for everything that's been missing from Marvel's — and Hollywood's — universe.
Coogler opens with exposition on Wakanda, a mighty African country that appears from the outside, as one Western sneers, as "Third World." But hidden from sight is a shimmering, technologically advanced metropolis whose stealthy growth has been fueled by vibranium, a cosmic mineral deposited deep in its mountains by a meteorite thousands of years earlier.
When the king of Wakanda dies, T'Challa returns home to take the throne, where he finds the country's five tribes — each with their own distinct color and attire — are beginning to bubble with discord. W'Kabi (Daniel Kaluuya) of the Border Tribe, in particular, would like to see the historically isolationist Wakanda give more in foreign aid and to refugees.
The issue is brought to the fore by an unknown Wakandan exile, Erik "Killmonger" Stevens (Michael B. Jordan), an American-made soldier who aspires to take Wakanda's power to rebalance black power around the globe. "The world's gonna start over, and this time we're on top," he vows in the film's climactic moments. Stevens' mission isn't initially so clear, as he and a band of rogues, led by Andy Serkis' black-market arms dealer Ulysses Klaue, begin causing havoc for T'Challa.
There are the expected special effects set-pieces and a very Bond-like trip to a South Korean casino. But the conflict at the heart of "Black Panther" is between separate factions of an African diaspora in a mythological realm filled with colonizers and racists who curse the Wakandan as "savages." It's powerful myth-making not just for its obvious timeliness but for the film's sincere grappling with heritage and destiny.
Created by Stan Lee and Jack Kirby, Black Panther first appeared in 1966. But the character has sparked the imaginations of many since, including filmmaker Reginald Hudlin, author Ta-Nehisi Coates and Wesley Snipes, who labored for years to adapt the comic into a movie. (Ironically, it was Snipes' 1998 superhero film "Blade" that kicked off Marvel's box-office success.)
It's easy to lament how long it took to bring "Black Panther" to the big screen. But the wait was worth it.
STARRING: Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Sterling K. Brown, Angela Bassett, Forest Whitaker and Andy Serkis
DIRECTOR: Ryan Coogler
NOW SHOWING: At AMC Baton Rouge 16, AMC Mall of Louisiana 15, Celebrity Theatres Baton Rouge 10, Cinemark Perkins Rowe and XD, Movie Tavern Citiplace, Malco Gonzales Cinema, Movie Tavern Juban Crossing (Denham Springs), The Grand 14 (Lafayette), The Grand 16 (Lafayette) and Celebrity Theatres Broussard 10 (Lafayette).
RUNNING TIME: 2 hours, 14 mins.
MPAA RATING: PG-13 (Parents strongly cautioned) Some material may be inappropriate for children under 13.
WHY IS THIS MOVIE RATED PG-13? For prolonged sequences of action violence, and a brief rude gesture.
Excellent (****), Good (***), Fair (**), Poor (*)