Martin Scorsese’s Paris adventure “Hugo” leads the 2012 Academy Awards with 11 nominations, among them best picture and the latest director slot for the Oscar-winning filmmaker, The Associated Press reported Tuesday morning.
Also nominated for best picture Tuesday: the silent film “The Artist”; the family drama “The Descendants”; the Sept. 11 tale “Extremely Loud & Incredibly Close”; the Deep South drama “The Help”; the Woody Allen romantic fantasy “Midnight in Paris”; the sports tale “Moneyball”; the family chronicle “The Tree of Life”; and the Steven Spielberg World War I epic “War Horse.”
“The Artist” ran second with 10 nominations, among them writing and directing nominations for French filmmaker Michel Hazanavicius, a best-actor honor for Jean Dujardin and a supporting-actress slot for Berenice Bejo.
Because of a rule change requiring films to receive a certain number of first-place votes, the best-picture field has only nine nominees rather than the 10 that were in the running the last two years.
Dujardin, who won the Golden Globe for best actor in a musical or comedy as a silent-era star whose career goes kaput with the arrival of talking pictures, will be up against Globe dramatic actor winner George Clooney for “The Descendants,” in which the Oscar-winning superstar plays a dad trying to hold his Hawaiian family together after a boating accident puts his wife in a coma.
Other best-actor contenders are: Demian Bichir as an immigrant father in “A Better Life”; Gary Oldman as British spy George Smiley in “Tinker Tailor Soldier Spy”; and Brad Pitt as Oakland A’s general manager Billy Beane in “Moneyball.”
Globe winners Meryl Streep (best dramatic actress as Margaret Thatcher in “The Iron Lady”) and Michelle Williams (best musical or comedy actress as Marilyn Monroe in “My Week with Marilyn”) scored Oscar nominations for best actress.
Along with Streep and Williams, best-actress nominees are: Glenn Close as a 19th century Irishwoman masquerading as a male butler in “Albert Nobbs”; Viola Davis as a black maid going public with tales of white Southern employers in “The Help”; and Rooney Mara as a traumatized, vengeful computer genius in “The Girl with the Dragon Tattoo.”